Lydia Blakeley

Lydia Blakeley’s paintings draw inspiration from the world around her, translating everyday observations into striking works of art. Her process often begins with images captured on her smartphone or laptop, which are then reinterpreted through the medium of paint. At their core, her works explore the concept of aspiration—how we present idealized versions of ourselves and our lives, particularly on platforms like Instagram. Blakeley’s subject matter ranges from picturesque holiday scenes and mid-century modern interiors to trendy food, streetwear, and the elite world of show pets.

Her work reflects the curated self-presentation that defines contemporary culture. Social media often promotes images that appear authentic but are carefully crafted to align with trends, showcasing status or desirability. Through painting, Blakeley slows down this fast-paced phenomenon, freezing fleeting memes and aspirational moments, offering viewers a chance to reflect on the visual overload of modern life.

Blakeley’s technique involves tightly cropped compositions, beginning with a pink underpainting followed by chalk pastel sketches, washes of color, and detailed refinements. This consistent process results in a polished, even surface and a detached, deadpan gaze that mirrors her commentary on aspirational culture.

Since completing her MFA at Goldsmiths in 2019, Blakeley’s career has soared. She has exhibited in group and solo shows at commercial galleries and institutions, including her first major institutional group show at the Hayward Gallery (curated by Ralph Rugoff) in 2021 and a solo exhibition at Southwark Park Galleries in 2022. Recent highlights include Present Tense at Hauser & Wirth and her solo show, Hold on for Dear Life, at Niru Ratnam Gallery in October.